Cody Maxwell discusses why MeyerPro uses both the V-80HD and V-160HD and how the firm gets the most out of both Roland video switchers.

•  MeyerPro provides comprehensive AV services in the Pacific Northwest region
•  The company recently acquired both V-80HD and V-160HD video switchers
•  Consistency, ease of use and scalability are key factors

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MeyerPro is a successful audiovisual production company operating out of the Pacific Northwest that offers comprehensive services for live, broadcast and virtual events.

They recently integrated Roland V-80HD and V-160HD streaming video switchers into their workflows for greater consistency and ease of use in their productions.

We asked MeyerPro’s Cody Maxwell why they opted for both models and how they use them to scale video operations effectively.

Since its founding, MeyerPro has grown from a two-car-garage operation into a Seattle- and Portland-based AV powerhouse. How does your culture shape the way you design shows today?

The culture at MeyerPro is built upon our five convictions: integrity, respect, excellence, fun, and generosity. With these core tenets creating the foundation, we aim to provide our clients with a superior experience in each one of their live productions.

You support everything from corporate meetings to live broadcasts. Can you tell us which production types you do most often?

No matter the scale of a live event, we always bring our best to the table. From large-scale arena LED wall and broadcast systems to cozy boardroom retreats, we have professional equipment and talented staff that deliver your best show.

Over the last six weeks, you’ve been using two Roland video switchers: the V 80HD and V 160HD. Can you walk us through how each unit fits into the video workflow?

V-80HD is our compact workhorse for smaller rooms, breakouts and quick builds that still need polish. V-160HD is the main switcher when the show scales, with more sources, more destinations, more complexity. Same approach, different horsepower.

Is there a way you decide what situation calls for a V 80HD versus a V 160HD? What drives that decision?

The V-80HD can easily handle most meeting room situations for our clients. It is very easy and repeatable to bring five or six of them and make each FOH the same—making life more predictable for the technician should they need to swap rooms. For setups that require more flexibility and input options, we upgrade to the V-160HD to ease any tension.

Was there any situation where the V 80HD and V 160HD surprised you with what they brought to the table in terms of functions?

We rely heavily on the reliability of both switchers. There are no surprise software updates or hiccups that create issues. We plug them in, connect sources and outputs, and everyone has an awesome day.

Many MeyerPro events involve LED walls, displays and livestreaming. How do you use the V 80HD and V 160HD to manage multiple outputs and destinations?

Standard room configurations in 2026 require at least two or three video inputs—typically a primary and backup Keynote machine, as well as another MacBook running ProPresenter for video playback. Almost everything goes to stream (Zoom or Teams), and bare minimum on the output is a few projectors, an LED wall, and/or a presenter DSM.

From an operator and engineer standpoint, which Roland features are essential to your production process?

We always have a mix of HDMI and SDI inputs and outputs. The ability to decide freely which one will work and not have a mess of Decimators to convert everything is golden. We love this functionality and save the converters for other parts of the chain.

Do you have any tricks you’ve learned while using the V 80HD and V 160HD?

These switchers have tons of options, personality and buried features we haven’t even dug into yet. Every day we learn something new to adjust and integrate into our workflow.

Would you share some tips for event producers or AV teams evaluating switchers and looking to build a scalable video system?

Always bring more than you need. Cool and calm always wins on show days. Your client expects you to be relaxed under pressure. If you have the I/O to accommodate that last minute playback addition they will feel at ease, and you will look like the hero.

What would you tell someone looking to break into the competitive AV world in 2026?

Balance the best of both worlds. Learn about your gear and understand the nuance of what it can do. Also practice your people skills. Most clients do not grasp exactly why any of this works—but they trust you. They also want to have a conversation and share in the process of producing a stellar event. Many of these customers spend months, even a year planning and envisioning their event coming to life. You need to be a technical guru, and a cheerleader on the sideline. This is a big deal, and everyone wants to see it running smoothly and successfully.